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Welcome to my blog , The Hare Illustratère. I'll be posting about my art process and journey as an illustrator/author here.

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Showing posts with label art process. Show all posts
Showing posts with label art process. Show all posts

Sunday, February 12, 2023

Cupcake Bouquet Art Process

 My Cupcake Bouquet greeting card design was inspired by a greeting card design challenge, #dhgartspark, on Instagram, Design House Greetings - Cue The ConfettiWhich led to a lot of doodles in various notebooks and finally a full size pencil sketch and then  an even tighter one. My next step is to take it to the light box to transfer the sketch to watercolor paper.  I use Canson Montval Watercolor 140 lb paper.


Step 2: Is the inking. Black India ink with a brush and then wash with shadows.

Step 3: I paint my illustration traditionally. Using Higgins Waterproof/Water Resistant Colored Inks as if they're watercolors and then scan it all in.

Final Step: Bring it into Photoshop, clean up paint splotches, specs and dust  and add details like sprinkles. Tah Dah - here's the finished art!

 I hope to do a few more greeting card designs for this challenge before March1 happens. BUT who knows if I actually will. Anyhow hope you enjoyed reading about my art process.

Instagram: @dtdelosh
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Sunday, February 11, 2018

Art Process Experiments 4 - 6

As I mentioned in the previous post, I've been experimenting with my art process. Hoping to shake things up a bit in 2018. SEE Art Process Experiment 1- 3 

Experiment No. 4A and 4B - Squirrel with Snowdrop: Semi Reverse Process
4A: Sketch. Watercolor. lines added with brush Scan. Add digital details. 
4B: Sketch. Watercolor. Scan. Add all the lines and details digitally. 
Results 4A: Similar to my usual style. But there's less black line, a Limited Palette and the squirrel looks younger because overall he's rounder. I love his Buffalo plaid jacket.
Results 4B: Felt my digital brush lacked the accuracy, smoothness and expressiveness of a real brush. At least at this point my brush skills are light years ahead of my Wacom pen skills. Frustrating. Trashed this effort hence: Art not shown.
Squirrel wrapping his scarf around an early bloomer -Posted this on Twitter for my #colour_collective illustration for the prompt, Cinnabar Green. Not sure if this counts for much, BUT it is my most popular illustration to date on Twitter.

Experiment No. 5 - Sleeping Giraffe: All digital with sketch.
Results:  Did this late at night and perhaps my judgement, focus, and coordination had gone to bed without me but I found the process clunky and frustrating. IF given many more hours of practice, perhaps I could come up with something more satisfying.
Sleeping Giraffe - Hate the colors. Had problems picking colors amongst other snafus.
Experiment No. 6- Sleeping Giraffe: Semi reverse Process Plus Digital Flourish: Sketch, Paint with watercolors. Scan. Added some additional digital flourishes. Note: Giraffe, Weedy Bits and Night Sky are are created separately. scanned and put together digitally. 
Results: Felt happy with the final art. The loose digital weedy flourishes seem to tie it all together in a new, for me, way. I want to explore this direction.

Sleeping Giraffe - Note, I used the same sketch for both Sleeping Giraffe  illustrations. Yes, I know, I should've done ALL the experiments using the same sketch BUT I didn't think of it earlier.  Posted this on Twitter for my #colour_collective for the prompt Delft Blue.
CONCLUSION: To be honest, there were times that I felt the last few weeks were an exercise in procrastination. I was afraid that I was going to just go back to my same old process but with only a few minor tweaks, experiment 4. Which would not have been the worst thing except for the time lost. Luckily experiment 6 came along.

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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Tuesday, February 6, 2018

Art Process Experiments 1 - 3

Recently, I've been trying new ways to work for a variety of reasons including keeping my work Fresh. My usual process is to sketch, ink, paint, scan, Photoshop. Elements are created separately and then put together and further digitally messed with until I'm satisfied. Here's a link to a recent process post.

Experiment No. 1 - Old English Sheepdog:  Reversed my process and No sketch.
Results: It felt daring working backwards. However, I can't imagine doing a whole piece this way. It does open up more possibilities.  I like the less outlined look. I also like that I used less black lines and feel the gray lines give it a softer look.
Painted basic shapes with watercolors. Scan

Added more shadows  and lines with my Wacom tablet and Photoshop. 

Experiment No. 2 - Owl flying in a Pine Forest:  The OWL only - Digital. NO sketch.
Results: Fun and a bit challenging to just draw paint with the Wacom. It has a certain appeal. A sketch would have helped.
The owl is drawn and painted using only the Wacom tablet and added to the Forest. A few Pine trees were hand inked*, scanned than digitally colored and put together for the forest. *I had originally created the pine trees for a different project and before I had the Tablet.  

Experiment No. 3 - Squirrel:  Oil Pastels. NO sketch.
Results: Felt like I was drawing with trees... Doubt if a sketch would've helped. I'd have to do this MUCH BIGGER. Never mind years of practicing. Similar to my Wacom experience but without being able to undo and all the other advantages of digital.
I haven't used oil pastels since high school! Rediscovered why I stopped using them.

Sharing more art process experiments soon.

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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