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Welcome to my blog , The Hare Illustratère. I'll be posting about my art process and journey as an illustrator/author here.

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Showing posts with label digital. Show all posts
Showing posts with label digital. Show all posts

Sunday, February 11, 2018

Art Process Experiments 4 - 6

As I mentioned in the previous post, I've been experimenting with my art process. Hoping to shake things up a bit in 2018. SEE Art Process Experiment 1- 3 

Experiment No. 4A and 4B - Squirrel with Snowdrop: Semi Reverse Process
4A: Sketch. Watercolor. lines added with brush Scan. Add digital details. 
4B: Sketch. Watercolor. Scan. Add all the lines and details digitally. 
Results 4A: Similar to my usual style. But there's less black line, a Limited Palette and the squirrel looks younger because overall he's rounder. I love his Buffalo plaid jacket.
Results 4B: Felt my digital brush lacked the accuracy, smoothness and expressiveness of a real brush. At least at this point my brush skills are light years ahead of my Wacom pen skills. Frustrating. Trashed this effort hence: Art not shown.
Squirrel wrapping his scarf around an early bloomer -Posted this on Twitter for my #colour_collective illustration for the prompt, Cinnabar Green. Not sure if this counts for much, BUT it is my most popular illustration to date on Twitter.

Experiment No. 5 - Sleeping Giraffe: All digital with sketch.
Results:  Did this late at night and perhaps my judgement, focus, and coordination had gone to bed without me but I found the process clunky and frustrating. IF given many more hours of practice, perhaps I could come up with something more satisfying.
Sleeping Giraffe - Hate the colors. Had problems picking colors amongst other snafus.
Experiment No. 6- Sleeping Giraffe: Semi reverse Process Plus Digital Flourish: Sketch, Paint with watercolors. Scan. Added some additional digital flourishes. Note: Giraffe, Weedy Bits and Night Sky are are created separately. scanned and put together digitally. 
Results: Felt happy with the final art. The loose digital weedy flourishes seem to tie it all together in a new, for me, way. I want to explore this direction.

Sleeping Giraffe - Note, I used the same sketch for both Sleeping Giraffe  illustrations. Yes, I know, I should've done ALL the experiments using the same sketch BUT I didn't think of it earlier.  Posted this on Twitter for my #colour_collective for the prompt Delft Blue.
CONCLUSION: To be honest, there were times that I felt the last few weeks were an exercise in procrastination. I was afraid that I was going to just go back to my same old process but with only a few minor tweaks, experiment 4. Which would not have been the worst thing except for the time lost. Luckily experiment 6 came along.

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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Sunday, December 17, 2017

Lion & Mouse Illustration Process post


Ok I admit it. I've been absent from this blog. I've been busy working on a big hush hush illustration project which is finally winding down. Unfortunately, I can't share anything from it yet BUT I can share the illustration process of my personal Christmas card.

Lion & Mouse © Diana Ting Delosh
Inks on watercolor paper & Digital.
Here's the CARD
I all begins with a pencil sketch. As you can see, originally was thinking of doing some hand lettering on the top.
Lion & Mouse Pencil Sketch
 © Diana Ting Delosh
Next comes the ink. Currently I'm using a brush on watercolor paper. It gives me thicks and thins as well as various tones of blacks and texture. I feel it all adds to the illustration's energy.

Lion & Mouse Ink Line © Diana Ting Delosh
I use colored inks to paint right over my black lines. I've lengthened the lion to give myself some leeway with the final design. I will mess with background on a separate layer in Photoshop.

Lion & Mouse © Diana Ting Delosh
Colored Inks on watercolor paper
Experimenting with the background. I know I want stars and a magical quality to the sky. Time to experiment with backgrounds. The sky is actually a sky I had previously painted with colored inks on watercolor and scanned.  I like the texture of real paints on paper. The stars are drawn in digitally on their own layer. Thank Goodness for the Wacom Tablet!

Lion & Mouse © Diana Ting Delosh
on Background-A

 Not enough oomph. It still lacks that magical quality I was after. Make the sky darker? Toss? NO! Thank goodness for layers. Just experiment with adding digital swirls and more stars and layers until... Voila! See the finished design at the beginning of this post.

Happy Holidays to ALL!

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

Check out my shops:
Check out my ThumbNailer