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Welcome to my blog , The Hare Illustratère. I'll be posting about my art process and journey as an illustrator/author here.

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Showing posts with label illustrators. Show all posts
Showing posts with label illustrators. Show all posts

Monday, September 5, 2011

CBIG - The Children's Book Illustrators Group: AESOP'S FABLES Illustration Catalog

Wow it's been awhile since I posted on this blog. I've had a busy busy summer with assorted projects. Here, finally, for your viewing pleasure is one of them... the CBIG Aesop's Fables Illustration Catalog.  I'm also happy to be 1 of the 26 illustrators that participated in the CBIG second annual illustration catalog as well as the designer of this group effort. Please hop on over to the CBIG blogzine during the months of September and October 2011 where I'll be posting the illustrations from the catalog.

CBIG - The Children's Book Illustrators Group: AESOP'S FABLES Illustration Catalog: CBIG is proud to show off our 2011 Illustration Catalog, AESOP'S FABLES . Featuring the talents of 26 participating members, listed below in...

Friday, October 15, 2010

REJECTION! - A few Antidotes

Rejection is not something I like to deal with but as an illustrator/writer it is an unfortunate part of life. I have to admit that while it still hurts I have learned to not take it too personally. Sure I still sulk and OD on chocolate but after a bit I brush my ego off and am back in the game. After all the only way to  avoid  Rejection is to take yourself out of the game and that is not an option unless you're retiring. Here are a few of my antidotes in random order. If you are an illustrator or writer please feel free to comment on how you have dealt with rejection. Let's learn from each other.

1 - Submit more stuff pronto. Yup, sounds counterintuitive but this actually works. You don't have to submit the project that just got rejected right out -but submit something, anything ASAP. Everyone of your submissions represents hope. If you have a lot of submissions floating around out there it's more likely that something will come back accepted. Don't put all your dreams into one project submitted to only one company.

2 - Work on a new idea - even better fall in love with your new project. Keeps your mind on something positive and moving forward.

3. Focus on the process not the result. Make it into a game. Right now I'm challenging myself to submit something weekly. It can be an art sample pack, a poem to a kid's magazine or a Picture book dummy /manuscript proposal, whatever. The weekly question of "Who am I submitting to and what" keeps me moving and the checking off  - "Yay, I did it" helps give me a mental boost.  It also makes me realize that I need to create more things so it's easier to to submit weekly. Another challenge to try is: Submit 10 different projects to 10 different places in 10 weeks.

4. Plan for rejection. When you submit a project have a plan B. Research who else maybe interested in your project and have their info ready just incase you need it.

5.  Accept it when they say the style doesn't suit their needs at the moment. They didn't say you are a terrible person. They just were not into your work. Move on. Someone else may love your style.

6. Wallow in the  Rejection. When all else fails OD on the chocolates and hide under the blankets just set a time limit -an hour, a day or even 2. Allow yourself to feel sorry for yourself and your project, even shed a few tears - you're human - just remember to get back on track, ASAP.

7. Learn from your mistakes. Take a cold hard look at your proposal. Is there room for improvement?  Revise, fix as needed and send it out to your plan B.

8. Work on your craft. One day, you may be pleasantly horrified by some of your earlier rejected projects and agree with the editors.

9. Diversify. Learn new things. Keeps life interesting. Your writing may be selling at the moment but your illustration may not, but at least something is getting a positive response. This also allows you to submit to different markets.

10. Adapt. There maybe nothing wrong with your project. It could be something you can't help like the economy or the market. Be willing to repurpose your art. So the picture book market is down maybe adapt the story for an early reader or chapter book Or try working on art for an older market.

It should also be noted that in this day and age where many companies are no longer responding to submissions unless they are interested, a rejection at least is a concrete response. I personally find the lack of response more unnerving than a definite yay or nay.

Tuesday, May 5, 2009

NEW - CBIG Blogzine!

Have been busy working on the official blog for CBIG. As usual nothing is as simple as it seems and it all takes longer than expected. BUT it is up and running and after a S-L-O-W start it is all starting to gell.
Please visit CBIG-nyc.blogspot.com, where members will be showcasing their illustrations and announcing their professional children's book publishing and related industry news.

Thursday, February 5, 2009

Fri Illustrator's Intensive: Part I - Workshops

*I will be using initials, etc. where/when the info is proprietary to the SCBWI.
Fri, 1/30/09. 5am rise & shine - got to catch the 6:38 train! Yikes - glad I don't have to commute daily. Anyway I'm at the Hyatt for the SCBWI Winter Conference, Illustrator's Intensive and I'm very excited about my 2 workshops: Digital Painting and Graphic Novels.

Big Changes in 2009. Publishing is in transition. Time to reinvent , re-define. There are more & newer forms of publishing: electronic, web, etc. but not more $$. What worked before may not work anymore. A crisis is a Terrible thing to waste! Do you see a theme here? Illustrators evolve, adapt or else??? -And this was just the opening!

Leo & Diane Dillon, illustration royalty, gracious and awe inspiring, showed a body of work that was constantly changing. They were lucky to have never been pigeon holed in any particular style, given the freedom to constantly experiment at whim. Through out all from woodcuts to friskets, Sci-fi book jackets to picture books, the one and only constant was the Dillon's aesthetic taste. Somehow they escaped the concept that one must have a style/Brand to successfully market oneself as an illustrator, and were able to create to the project.

A Traditional Aproach to Digital Painting - taught by illustrator William Low. This was an amazing workshop. I'm a traditional illustrator with knowlege of photoshop 7 vs the latest CS whatever. However I went home w/pages of notes and a semesters worth of info and loads of ideas on how to work smarter w/some digital help from PS7. Needless to say I can't wait to buy a new computer and be able to play w/the latest CS.

Attention Picture Book Writer/Illustrators: You Can Create a Graphic Novel: Here's How - This workshop should have been called: Survival tactics for illustrators. Elise Primavera showed how she adapted her style over the years to stay on top of the changing market. From her early work, classic pen & ink to her best seller; Auntie Claus, pastels, to her recent graphic novels, Fred and Anthony Escape from the Netherworld, loose doodlely ink line. She exhorted us to copy (as a way of learning) what we felt was current to digest and ultimately make our own - until the next cycle. She also told us (and this was a theme that ran through the whole conference) to mine our childhood journals/sketch bks/memories for Mid grade/teen & graphic novel ideas. Tips on staying fresh: Get uncomfortable! Try new things, techniques. Welcome the squirmy feeling. Don't be afraid of beginning with a chaotic mess and keep that energy going.

So Yes - I will create a graphic novel and be very squirmy doing it and have it sub ready before the trend expires! GWAH! I'm very uncomfortable now!

Monday, February 2, 2009

Apres SCBWI Winter Conference!

Groundhog Escapes!
© Diana Ting Delosh, Ink & watercolor illustration

This past weekend, I attended the SCBWI Winter Conference. Which meant 3 very early mornings and long days. I'm still recovering and feeling a bit numb. I'll blog in more details once I've digested my experience. So what are my overall impressions of this conference? Any exciting tips to share?

Art directors, editors, literary agents, oh my - apparently are all looking at artists and writers blogs! Yay - or might that be - Uh Oh!

Websites for illustrators are a must. Art Directors prefer to search the web for artists vs illustrator source books.

Publishers paper catalogs will also soon be extinct.

The conference was in general inspiring - but is it my imagination that the 2009 message for the writers was kinder and hopeful, compared to the illustrators message of adapt, evolve or else. Hm-m-m -m. I'll definitely have to give it a few days to percolate before I write about that one!

- Happy Groundhog's Day!
Puxatawny Phil predicts 6 more weeks of winter, but my local groundhogs, Chuck and Mel predict an early spring. I'll go with my local boys.

Monday, June 30, 2008

Bubble Trouble: From Idea to Publication.

I'm so happy to announce the publication of my poem, Bubble Trouble, in Highlights/High Five magazine, July 2008, pg 12 & 13 illustrated by Holli Conger. Yay!

If you're interested in the submission process - Read on.
Bubble Trouble from idea to published poem took 4 submissions and 7 years. Note: there is more to my life between 2001 and 2008 than this 6 line poem but that's all I'm blogging about here.

I first thought up Bubble Trouble in 2001, scribbled down the rough draft and posted it on a corner of my drawing board. All the better to keep an eye on it while I worked on illustrations /graphic design assignments, other ideals, life, etc. Every now and then I'd tweak a word or line until it took pretty much the same form as it is today -a 6 line poem. I also thought it would make a cute rebus and created a double spread layout.

Submitted my BT poem & suggested sketch layout along with sample illustration and SASE to Ladybug magazine fall of 2001. Why Ladybug? Because they were publishing my In the Garden, illustration and counting activity. And I thought it was perfect for their readers aged 2 - 6. Waited - way past the 4 months they said it took to review & return submissions before finally sending a query. It is the spring of 2002 when I get a reply that they don't keep records of unsolicited subs but I may resubmit. I do. More months pass - finally my SASE comes back at the end of 2002- REJECTED! Albeit a personal rejection. They have a surplus of bubble submissions!

After some sulking, I revamp art for a single spread and submit to Highlights Magazine 2003. They do use rebuses but I still think it's a longshot. More months of waiting - but it does come back - form letter rejection. Well I did think it was a long shot.

BT submitted to Turtle magazine July 2003 and is rejected that December. I sulk, indulge in massive quantities of chocolate, file it away.

2006/2007 - I read in my newsletters: Children's Book Insider and Children's Writer that HighLights will be coming out with a new publication. High Five magazine will be aimed at 2 - 6 year olds. I make a note to myself to submit art samples and maybe create a proposal. One day it dawns on me that I have a perfect project for them in my files. BT is: reviewed, tweaked and submitted July 2007. September 4,2007, my sketches are returned but they are interested in publishing my poem. I'm a bit surprised as I always thought that my art sold my writing but I accept. A month later, the editors send me edited copy to review and a publication date of July 2008!