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Welcome to my blog , The Hare Illustratère. I'll be posting about my art process and journey as an illustrator/author here.

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Sunday, February 11, 2018

Art Process Experiments 4 - 6

As I mentioned in the previous post, I've been experimenting with my art process. Hoping to shake things up a bit in 2018. SEE Art Process Experiment 1- 3 

 Experiment No. 4A and 4B - Squirrel with Snowdrop: Semi Reverse Process
4A: Sketch. Watercolor. lines added with brush Scan. Add digital details. 
4B: Sketch. Watercolor. Scan. Add all the lines and details digitally. 
Results 4A: Similar to my usual style. But there's less black line, a Limited Palette and the squirrel looks younger because overall he's rounder. I love his Buffalo plaid jacket.
Results 4B: Felt my digital brush lacked the accuracy, smoothness and expressiveness of a real brush. At least at this point my brush skills are light years ahead of my Wacom pen skills. Frustrating. Trashed this effort hence: Art not shown.
Squirrel wrapping his scarf around an early bloomer -Posted this on Twitter for my #colour_collective illustration for the prompt, Cinnabar Green. Not sure if this counts for much, BUT it is my most popular illustration to date on Twitter.

Experiment No. 5 - Sleeping Giraffe: All digital with sketch.
Results:  Did this late at night and perhaps my judgement, focus, and coordination had gone to bed without me but I found the process clunky and frustrating. IF given many more hours of practice, perhaps I could come up with something more satisfying.
Sleeping Giraffe - Hate the colors. Had problems picking colors amongst other snafus.
Experiment No. 6- Sleeping Giraffe: Semi reverse Process Plus Digital Flourish: Sketch, Paint with watercolors. Scan. Added some additional digital flourishes. Note: Giraffe, Weedy Bits and Night Sky are are created separately. scanned and put together digitally. 
Results: Felt happy with the final art. The loose digital weedy flourishes seem to tie it all together in a new, for me, way. I want to explore this direction.

Sleeping Giraffe - Note, I used the same sketch for both Sleeping Giraffe  illustrations. Yes, I know, I should've done ALL the experiments using the same sketch BUT I didn't think of it earlier.  Posted this on Twitter for my #colour_collective for the prompt Delft Blue.
CONCLUSION: To be honest, there were times that I felt the last few weeks were an exercise in procrastination. I was afraid that I was going to just go back to my same old process but with only a few minor tweaks, experiment 4. Which would not have been the worst thing except for the time lost. Luckily experiment 6 came along.

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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Tuesday, February 6, 2018

Art Process Experiments 1 - 3

Recently, I've been trying new ways to work for a variety of reasons including keeping my work Fresh. My usual process is to sketch, ink, paint, scan, Photoshop. Elements are created separately and then put together and further digitally messed with until I'm satisfied. Here's a link to a recent process post.

Experiment No. 1 - Old English Sheepdog:  Reversed my process and No sketch.
Results: It felt daring working backwards. However, I can't imagine doing a whole piece this way. It does open up more possibilities.  I like the less outlined look. I also like that I used less black lines and feel the gray lines give it a softer look.
Painted basic shapes with watercolors. Scan

Added more shadows  and lines with my Wacom tablet and Photoshop. 

 Experiment No. 2 - Owl flying in a Pine Forest:  The OWL only - Digital. NO sketch.
Results: Fun and a bit challenging to just draw paint with the Wacom. It has a certain appeal. A sketch would have helped.
The owl is drawn and painted using only the Wacom tablet and added to the Forest. A few Pine trees were hand inked*, scanned than digitally colored and put together for the forest. *I had originally created the pine trees for a different project and before I had the Tablet.  

 Experiment No. 3 - Squirrel:  Oil Pastels. NO sketch.
Results: Felt like I was drawing with trees... Doubt if a sketch would've helped. I'd have to do this MUCH BIGGER. Never mind years of practicing. Similar to my Wacom experience but without being able to undo and all the other advantages of digital.
I haven't used oil pastels since high school! Rediscovered why I stopped using them.

Sharing more art process experiments soon.

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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Saturday, December 30, 2017

Bye Bye 2017

Can't say I'm sorry to see 2017 go.  Like any year it had it's good and bad and meh moments.

Had a lovely challenging illustration commission that I hope to be able to share... soon. Challenging because while it involved animals in costumes, YAY, it also involved a lot of detailed backgrounds and architecture. This project has taught me to truly respect illustrators that excel in backgrounds, especially urban scenes. As always, hope to acquire more fun illustration commissions in 2018.

It was also the year I became more political. Previously, I had always felt that my political views were private and I didn't talk or share much about it on social media. After all you didn't want to offend a potential buyer or client with your personal beliefs. However 2017 was different and I did share my views more openly. My feeling is that you can't be silent when you see things heading in the wrong direction. Did I loose out on any jobs, commissions or sales??? Not that I noticed. I did tire of seeing my twitter feed overtaken by political tweets rather than lovely art. Unfortunately, I fear there will be 3 more years of watching the planet being parceled off to line a few greedy pockets and other evils.

In 2017 I got excited about quite a few art challenges BUT I ended up not fulfilling most of these. Which made me a bit sad. I end 2017 with a long trail of unfinished personal art.  Granted, I had real paying work deadlines. Good excuse not to be distracted by personal art projects. I'm not complaining. I need those paying projects. Rather I'm annoyed that I couldn't figure a way to balance my financial and my creative needs. Definitely need to work on that.

Only did one postcard campaign in 2017. I usually do 2 if not 3. The problem with commissions that you can't share is that it's makes self-promotion harder. Another reason to figure out the balance between paying work and nonpaying. Personal art is where you make your discoveries and build your future and hopefully your fortune. Here's to returning to 3 postcard mailers in 2018 and more  creating and submitting

Made a huge art process discovery. I need to sketch, ink, paint, Photoshop something every week. So if I'm working on the sketch phase of a BIG project, to keep me in top form I need to also be doing "warm-up inks, paintings, Photoshop art" on the side. That way when the sketch phase is done I can move on to the ink phase without going through the I forgot how to... moment first. Less redos and more doing.  I know a bit of a duh, obvious idea but a big revelation to me and my art process. I should probably add creative writing to the weekly mix for 2018 too.

Wishing All a Happy, Healthy, Creative , Prolific, Productive and Prosperous 2018!

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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Sunday, December 17, 2017

Lion & Mouse Illustration Process post


Ok I admit it. I've been absent from this blog. I've been busy working on a big hush hush illustration project which is finally winding down. Unfortunately, I can't share anything from it yet BUT I can share the illustration process of my personal Christmas card.

Lion & Mouse © Diana Ting Delosh
Inks on watercolor paper & Digital.
Here's the CARD
I all begins with a pencil sketch. As you can see, originally was thinking of doing some hand lettering on the top.
Lion & Mouse Pencil Sketch
 © Diana Ting Delosh
Next comes the ink. Currently I'm using a brush on watercolor paper. It gives me thicks and thins as well as various tones of blacks and texture. I feel it all adds to the illustration's energy.

Lion & Mouse Ink Line © Diana Ting Delosh
I use colored inks to paint right over my black lines. I've lengthened the lion to give myself some leeway with the final design. I will mess with background on a separate layer in Photoshop.

Lion & Mouse © Diana Ting Delosh
Colored Inks on watercolor paper
Experimenting with the background. I know I want stars and a magical quality to the sky. Time to experiment with backgrounds. The sky is actually a sky I had previously painted with colored inks on watercolor and scanned.  I like the texture of real paints on paper. The stars are drawn in digitally on their own layer. Thank Goodness for the Wacom Tablet!

Lion & Mouse © Diana Ting Delosh
on Background-A

 Not enough oomph. It still lacks that magical quality I was after. Make the sky darker? Toss? NO! Thank goodness for layers. Just experiment with adding digital swirls and more stars and layers until... Voila! See the finished design at the beginning of this post.

Happy Holidays to ALL!

Illustration blog: dtdelosh.blogspot.com
twitter: @dtdelosh

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