Little Red Postcard Design

I'm aiming for 3 postcard mailings in 2016. Here's the first, featuring a detail from my Little Red illustration on the front and Groundhog Waltz on the back. These are large postcards, roughly 5.5" x 8.5" the better to show off the illustration detail and also hoping that it will help make my card stand out. I use VistaPrint.com to print my postcards.

Front of Postcard -Detail from Little Red - © Diana Ting Delosh

As this is a mailing aimed at the kid lit world, I try and pick illustrations that show off my narrative skills. I use  the  market listings from the SCBWI's The Book as well as the names/companies I've amassed from my own research via networking, conferences, workshops, etc. My mailing list is under 200 contacts.

Back of Postcard - Groundhog Waltz - © Diana Ting Delosh

Lately I've heard a lot of advice to use a small targeted mailing list. True this could save you a bundle in printing and postage. While,  I do make a point to target only those places that publish picture books/kid lit art, it's still a fairly large list comprised of my actual contacts, dream places as well as "sort of why not" possibilities. I have found that it's better not to make it a too narrow list. In the past I've gotten work from those sort of/why not send them something places. When you consider that it's only a 49¢ stamp plus 25¢ per postcard print expense - a total sum of 75¢ per card, it might be worth taking a few chances. 

Little Red - Illustration Process Post

Little Red
© Diana Ting Delosh
Ink Watercolor Digital

2015 has been the year of experimenting with different mediums. To create Little Red I used  a Micron Brush Pen and assorted Rapidiographs for the finer lines on watercolor paper. The Rapidiographs are filled with Black India Rapidiograph Brand Ink: Universal 3080-F.BLA Waterproof for Paper & Film. Previously I had tried other brands of brush pens and found them not as waterproof as they claimed they were. The Microns are truly waterproof and I was able to paint right over my line art as soon as the ink was dry. I'm quite happy with the results.

Ink Line Detail for Little Red
©Diana Ting Delosh
Assorted pens

I used the Brush pen mainly on the Little Red and the Wolf as I wanted them to be the focal paint. Most of the finer details were put in with a double zero pen as well as some pencil. This way I could have my thick and thin lines and my details too. The background  forest is done in pencil as I wanted it to be very soft and fade. As you can see they were so fine they barely scanned in.

Happy Howling Halloween!

Wolfman and Wolfie

© Diana Ting Delosh

Med Point Bic® Pen Sketch

Wishing all a Howling Good Halloween!

Illo 2 - A Boy & His Wolf

A BOY & HIS WOLF

© Diana Ting Delosh

Ink & Watercolor

Well here it is Illo #2* - now this piece was a long time coming. Too many interuptions, obstacles both personal and professional -but here it is finally and I'm fairly happy with the finish.

I wanted to work on Book Jacket type art.  Several art buyers have looked over my portfolio and have stated that I should add more full color Jacket and B & W interior art for middle grade/YA books to my portfolio. Why - because midgrade/YA books are big sellers and the picture book market is slow right now. I should add that doing so has been on my to do list for awhile but it's the 12 Week Challenge that's galvinized this thought into concrete action.

The idea/assignment - Bk jacket art - I decided to redo an old piece that's been languishing in my flat files. There are somethings about it that I still like: the wolf and the dreamy forest. As for the rest - it's over wrought/overdone and what's with the boy's outfit? 

Decided to  loose the heavy distracting border, whale , eagle, etc. Stared at a lot of book jackets and noted that most titles were on the top third.

Used photoshop to isolate and enlarge what I wanted to keep in my new illo. Pencil now shows boy & wolf fills the jacket bottom two thirds. Note also that the boy is wearing a contemporary sweat jacket. Research and find good reference for clothes, wolf, boys haircuts etc.

 After the pencil, comes the inking and finally we're in the last stages -  the coloring. As usual I lay in my color. Work on the boy - paint in the wolf - now with more detail and depth then my older version. Paint in the background.  

Here is where it went awry. In the new version I put in a big tree in the mid ground. The tree top is where I envision the type. BUT I end up hating the tree top! Would probably look fine with type but as it stood - I just wasn't happy.  I am happy with the boy and I love the wolf. Now what? Feed my trash monster? Banish it to my flatfile? What? As this is watercolor, a transparent media, I can't just paint over the offending parts. I can paint the background on another piece of paper and splice it in via photoshop. OK that's a thought but wait this is a personal piece and there is no real size for me to stick to just as there is no deadline or client. There is only me to please. So what's my solution? Crop it! Yay! and I even like it now. 

Yes, yes one day I'll paint dreamy forests and splice in with photoshop but that can wait. Now I hear illo 3, Sandcastle Summer,  calling me as well as Ripple Sketches and gazillion other things to do.  Illo 4, 5, 6 will be randomly: The Reluctant Dragon, black & white, and TBD. 

*Refers to the Zero2illo 12 week challenge. Weeks 4 - 6: create 6 portfolio worthy illustrations. My personal challenge - create 6 people illos as my website is underpopulated with people.